Thursday, 23 June 2011

I have a place at New Designers!!!

I am incredibly lucky to have been selected to take my degree show collection down to part 1 of New Designers. I could not believe it. I was desperate to get a place and worked so hard in the hope I might get a place, you cannot imagine how excited I was when I found out!
So there I shall be, 30th June - 2nd July on stand T4 with the University of Huddersfield. For information on tickets follow the link below.




Exhibition!

Putting up the exhibition was a mammoth task and far more tricky than I could have imagined. I went in with an idea of how to display my work; I wanted it suspended from the ceiling, hanging away from the wall, with pieces overlapping each other.
It ended up suspended but on an angle so the piece were parallel to one another but coming away from the wall diagonally into the room.

I’m really happy with my exhibition. I feel it shows my fabrics off wonderfully and bringing them in together really emphasises that they are a collection.
Exhibition space with supporting work

Final Collection, Photo shoots and Contextualising

As my work can be seen in a number of contexts, after a discussion with my tutor it was decided that it would be good to create a number of visualisations to show which context my fabric collection could fit into.
I’d already thought that a photo shoot would be a good idea, taking my finished fabrics back to the woods where the inspiration came from.  Before-hand, I went to check out some locations, looking for trees with low enough branches to drape fabrics from and areas of dappled sunlight.


I decided that if I was able to get one, a model would be an excellent idea to show how my fabrics could be used for fashion rather than doing this as a visualisation.

The whole photo shoot experience was so much fun! I got some really great shots and really enjoyed the styling process. Maybe I’ve found a new direction?!


Visualisation of Intended use: Fabric wall feature

Visualisation: Alternative interiors use.

Visualisation: Alternative interiors use.

Thursday, 16 June 2011

Sample 11

As part of my degree we have to produce an exhibition catalogue. The course does one which you can take part in (for a cost) or you can produce your own. Everyone this year took part in Sample 11.
We were allocated one double page spread each and we had to figure out how we wanted to assemble our pages.
When we received the images from the photoshoot, I played around with numerous layout ideas. We were also asked to include a quote which summed up our practice.
The theme on which a piece of work is based is not always explicit…it allows the viewer to use their imagination and form their own ideas.
This is what my page looks like. We received our catalogues last week J

Photography: ©andrewf.com
ISBN: 978-1-86218-095-6
Publisher: The University of Huddersfield, Queensgate, Huddersfield HD1 3DH

Tuesday, 3 May 2011

Photoshoot

As part of my course at uni, we have an exhibition catalogue which goes alongside the final degree show. As part of the process we take part in a professional photoshoot.
I was given 45 minutes to set up my work, followed by a 45 minute shoot. The experience was fantastic! I’ve never done anything like that before so it was a really useful experience.
Before the shoot I looked at my studio space and the way I worked and displayed my work around me. I saw that I had quite a busy space with lots of layering going on and with draped fabrics.
I thought about how I could use some of these ideas for my photoshoot, knowing that the venue would not allow us to pin our work into the walls. I thought about finding some form of batton or pole to drape my fabrics over and experimented with this idea by making use of the piping running along the studio walls.


After discussing ideas for the photoshoot with my tutor I decided that because I want to work on commissions it might be a good idea to present my shoot as though I was having a meeting with a client. I could lay my designs out on their dining table as if to say, “Look, this is what I am capable of.”
So then I went off and looked at tables. Firstly, it had to be something I could easily get hold of for an afternoon. Secondly, it would have to fit in a car. Thirdly, I wanted it to look like a dining table, but not a cheap looking one – something that was old, and loved and you might find in the house of my clients. Based on the fact that my work is so detailed and time-consuming, my clients would need to have a large disposable income. Therefore, I felt this should come across in the table.

Now I had a look at two tables in particular, the old dining table from home which I now use as a desk. This table has been passed on through three generations so I expect it is quite valuable. This was the table I envisaged using when I first had the idea of using a table. However, I had to consider whether it would fit in a car in order to get it to Huddersfield for the shoot.

The next table I looked at was one belonging to my grandma. It’s a gate-leg table so I knew it would fit into a car.
I settled on using the first table from home. So on the day of the shoot, my Dad drove over to Huddersfield with the table and a chair. I found a suitable place in the room to set up my table beneath a window. In the room we were using for the shoot I found a pin-board which just fit into the window frame – perfect! I used the board to pin fabrics to and recreated my studio space.
Each student was assigned a second year student to help us. I asked Clair to take photographs for me as we went along putting up my work and throughout the shoot. I was very lucky in that I had my Dad at the shoot too so I asked him to bring his camera and take photos. Between the three of us I ended up with over 200 photos!
Here are some of the shots from the day...


'Embroidered Gardens'

These are some of my final samples from my ‘Embroidered Gardens’ project from before Christmas. These samples have been inspired by some of the drawings from the previous post.
'Embroidered Garden' - Texture

'Embroidered Garden' - Texture [Detail]

'Embroidered Garden' - Pleated Leather [Detail]

'Embroidered Garden' - Sculpted Leather

'Embroidered Garden' - Sculpted Leather [Detail]

'Embroidered Garden' - Formal Garden
'Embroidered Garden' - Formal Garden [Detail]

'Embroidered Garden' - Quilted Rocks

'Embroidered Garden' - Layer

'Embroidered Garden' - Layer [Detail]
  
'Embroidered Garden' - Layer [Detail]

Sunday, 27 March 2011

It's been a while...

I haven’t blogged for months! I’m terrible! So I’m going to quickly update you on what’s been going on in my textiles.
My project before Christmas was inspired by natural forms and textures with a strong focus on gardens. I combined this with patterns found within formal garden design.
Below are some of my initial observation sketches, which I used to create digitalised stitch designs.





I used some new drawing techniques in this project using the Elmo scanner, a 3D scanner to help me. I would project my small-scale sketchbook works onto A2 & A1 paper as well as lengths of wallpaper. The scanner allowed me to zoom into various parts of my drawings creating an entirely new piece of work. I also scanned parts of my embroidery to draw from as well.
The image above shows me working from the projection of a drawing.


This image shows me working from the projection of a fabric on the left-hand page. On the right-hand page, I am working from the print left behind from a dyed fabric whilst drying.



I'm really pleased with my drawings from this project. I really developed my own style and learnt to draw on a larger scale. I’ve always preferred to work small-scale which is why I tend to work in little sketchbooks. The Elmo projection technique was a massive help. I think that because the projection leaves marks on a page, when you actually make the first physical mark, it seems a lot less daunting. “The white paper, usually of large dimensions, was threatening. The nervousness of making the first mark on the blank surface…” (Ionascu, 2006)


IONASCU, A. (2006) Drawing Lines – Ambiguous Surfaces, [Online] Available at:
www.lboro.ac.uk/departments/ac/tracey/ambi/images/ionascu.pdf [Accessed 14.12.2010]